Nine years ago, Olamide didn’t just release an album—he unleashed a cultural revolution. “Eyan Mayweather” wasn’t merely a musical project; it was a seismic statement that would redefine the landscape of Nigerian music forever.
Picture the streets of Lagos buzzing with electric anticipation. Olamide, the undisputed street poet, dropped an album that was part musical masterpiece, part urban manifesto. With Pheelz crafting beats behind the scenes on 16 of the 21 tracks, this wasn’t just music—it wasalchemy.
Tracks like “Lagos Boys,” “Bobo,” and “Melo Melo” weren’t just songs; they were anthems that captured the raw, unfiltered spirit of a generation. Each beat, each lyric was a punch of authenticity that resonated from the bustling streets of Lagos to the furthest corners of Nigeria and beyond.
The industry took notice. The National Entertainment Awards crowned “Eyan Mayweather” Album of the Year, while the Headies showered Olamide with three nominations—a testament to an album that refused to be ignored.
More than just a collection of tracks, this was a cultural document. Olamide’s razor-sharp storytelling, his ability to weave street narratives with infectious rhythms, transformed “Eyan Mayweather” from an album into a legend. It wasn’t just music—it was a movement.
Nine years later, fans still debate their favorite tracks, proving that true art is timeless. Olamide didn’t just create an album; he created a moment that would echo through Nigerian music history.
